Alliteration and Symmetry in Sir Gawain and the Green Knight

Note on poetic meter Gawain is setative of Middle slope alliterative songs in that it is written in alliterative long lines, following the basic metrical principles of Old English verse. distributively long line consists of two half(prenominal)-lines, for all(prenominal) one half with two evince syllables and a varying number of unstressed syllables. Most importantly, the two half lines argon connected by alliteration ? that is, repetition of the same harmonious sound on at least two, often triad, of the stressed syllables.For example, the verse form begins Sithen the sege and the assaut was sesed at Troye (line 1), with the s sound recurring basketball team times deep down the single long line. The long lines do non rhyme with each early(a). However, they are organized in stanzas of fifteen to twenty-five lines, and each stanza concludes with a construction known as a bob and wheel. This term refers to a group of five short lines, which do rhyme, to the pattern of a baba. If you are not reading Gawain in the original Middle English, the poetic structure whitethorn not be maintained in the translation.Some modern English translations keep the rhyme and meter strictly others are only prose translations. accord Sir Gawain and the Green Knight has a symmetrical structure. Everywhere in the poem is balance, contrast and antithesis. The poet highlights number symbolism to add symmetry and meaning to the poem. For example, troika kisses are exchanged between Gawain and Bertilaks wife Gawain is tempted by her on three separate days Bertilak goes hunting three times, and the Green Knight swings at Gawain three times with his axe.The number two also appears repeatedly, as in the two beheading scenes, two confession scenes, and two castles. 55 The five points of the pentangle, the poet adds, represent Gawains virtues, for he is faithful five ways and five times each. 56 The poet goes on to list the ways in which Gawain is virtuous all five of his sense s are without fault his five fingers never fail him, and he invariably remembers the five wounds of Christ, as well as the five joys of the Virgin Mary. The twenty percent five is Gawain himself, who embodies the five moral virtues of the code of chivalry friendship, generosity, chastity, ourtesy, and piety. 57 only of these virtues reside, as the poet says, in the Endless Knot of the pentangle, which forever interlinks and is never broken. This conversant(p) relationship between symbol and faith allows for rigorous allegorical interpretation, particularly in the physical role that the shield plays in Gawains quest. 59 Thus, the poet makes Gawain the epitome of perfection in knighthood through number symbolism. The number five is also found in the structure of the poem itself. Sir Gawain is 101 stanzas long, traditionally unionized into four Fitts of 21, 24, 34, and 22 stanzas.These divisions, however, have since been disputed scholars have begun to believe that they are the work of the copyist and not of the poet. The original holograph features a serial publication of capital letters added after the fact by another scribe, and well-nigh scholars argue that these additions were an attempt to restore the original divisions. These letters divide the manuscript into nine separate. The first and last parts are 22 stanzas long. The bit and second-to-last parts are only one stanza long, and the middle five parts are eleven stanzas long.The number eleven is associated with transgression in other medieval literature (being one more than ten, a number associated with the ex Commandments). Thus, this set of five elevens (55 stanzas) creates the perfect mix of transgression and incorruption, suggesting that Gawain is faultless in his faults. The format of Sir Gawain and the Green Knight works on the principles of repetition and multiplication. imply about the number of departures for adventure, the almost eerie property of threes, the characters who play eig htfold roles, the five points of the pentangle and so on.