Movie Analysis Of The Others Film Studies Essay

Movie abstract Of The Others Film Studies EssayThe Others is a film written and directed by Alejandro Amenabar. This supernatural thriller was produced in 2002, and like most films of its genre, it combines suspense, disaster and unexplainable events into a truly spine tingling production. There atomic number 18 many aspects of idolise, and the techniques employ to set a chilling moment vary largely. only Amenabar believes that, release something to the imagination is the essence of real horror. This is achieved in the film The Others by utilise many presentational devices.During the opening rate a in truth eccentric atmosphere is produced, s unaffixedly nervy images atomic number 18 stagen of people wagering overwrought however this contrasts with the soft cheerful melody in the background. This contrast makes the medicine very eerie, imputable to the natural connecting of something isnt right, which builds suspense because you dont understand whats wrong. The depre ssion image shown in this sequence depicts the creation of the world the image is very open due to it being the start of life and freedom, the image is in like manner well lit. The other images are very different, there images shown are two children huddled on a stairway, somebody locking a brink, a scared girl pointing into the dark, a dark figure reaching emerge to a petrified boy, a broken toy angel and a unavowed family. These images create unease, the poor lighting mainly focusinges on the people qualification them looked trapped by the unknowing dark, and this is in like manner achieved by the picture of the sequestrate house also seemingly trapped by the fog. The people also look like their aspect at something and coupled with the moving light which seems almost to search the images, gives the impression theres more in the images then we after part see. This and also the title, The Others, gives us the impression that the people in this film are trapped with othe r unknown supernatural beings, big(a) the viewer a touch sensation of insecurity.Right from the beginning of the film tension is built, the opening sequence finishes and the medicinal drug stops. The silence lacks any atmosphere, giving us the impression cryptograph is going to happen, and then suddenly it jumps to a shot of grace screaming. This traumatize makes the consultation jump, also reservation them suspect more shocks. However the first-year three guessworks lack these, making the tension increase, and as the pace of the melody increases, the interview are on the edge of the seats suspecting the worst. They start to gauge what they believe is going to happen, fearing it. But they are dealt with continuous anti climaxes, just the tension builds as they all know something is going to happen soon, then when the music stops and all seems calm they are dealt with a shock when they least aspect it. The first picture show also gives our first look of the outside of th e house. Its looks very isolated, and with the additional fog surrounding all, the large house almost seems like a prison. This feeling is completed in scene two when the servants recreate the children. Grace starts to lock all the entrys, Amenabar also adds to the feeling of imprisonment by reducing the light significantly by making the servants shut the curtains. This creates anxiety and due to the strong character of grace the audience may start to fear for the unmet children. We start to feel anxious to meet the children, Amenabar uses this to create unease. The music stops and unexpectedly an eerie chanting starts, at this point we dont know what to expect and the camera pans around to behind the servants so we cant see what the servant can, this creates even more tension. what is more, a study way Amenabar creates tension and suspense is via the use of lighting. The setting of the film is encaged in darkness this is due to the children being photosensitive. However this dar kness creates uncertainty for the characters and the audience inhibiting what they can see happening. This senses of unease increases as the characters become more shadowy of the others in their house. The use of light is especially apparent in a scene I will refer to for the purpose of this essay, the bedroom scene. In this scene two Anne and Nicholas are in bed, suddenly Anne wakes up Nicholas plain that Victor had been messing with the curtains. However during this scene, due to the lighting, only the childrens faces are visible. This makes the audience devise the question if there really is someone by the curtains. In this scene, Amenabar purposely makes the scene uncertain allowing it to be interoperated in two different ship canal this is particularly evident when Anne is talking to Victor. This is achieved by the use of camera angles, both the audience and Nicholas can hear a strange voice, besides due to the camera showing only the back of Anne, we cant tell if she is set it on her not. Additionally when Nicholas believes Anne is just trying to scare him, she tells Victor to touch his cheek. As this is happening, the manager uses background music to build up tension. Furthermore the camera zooms into Nicholas face so the audience is unaware of what is happening in the room. Suddenly there are numerous unsettling sounds such as bang footsteps this combined with the climaxing music increases the tension. As the tension is at a flush silence echoes, and a mysterious hand reaches out for Nicholass face. Nicholas erupts into hysteric screams, this stuns the audience.In addition, sound is also employ to create suspense. This is especially final resultive in the scene I will refer to as the piano scene. The scene starts with grace sat on the steps, crying in the darkness of a candle. However faint music suddenly becomes audible, so grace goes to investigate. latent hostility is built for the audience as they can see the apprehension and fear Grac e has of what she will find as she creeps down the stairs clutching a shotgun. The music leads her to the piano room, and as she reaches for the door handle the door creaks open and the music suddenly stops. However all(prenominal) door in her house is usually locked, this strange change gives the audience a feeling that there is something wrong. As Grace inspects the room, the director again plays music giving the audience the impression something is there. However as the music dies, the audience are dealt with an anticlimax. Grace leaves the room, and as the camera starts to zoom in on the door it suddenly slams shut while an eerie scream can be heard. Due to the audiences tension being released as grace realises there is naught in the room, this creates an expected shock. Grace, who fell to the floor, stands up and tries to open the door in fright, however it is now locked. When the summoned house keeper unlocks the door, the room is scanned by the camera, precisely there is n othing to be seen but a previously unsympathetic piano gleaming in the moon light. Grace is physically ball over this can be seen as she brings her hands to her chest. Another notable moment regarding lighting in this scene is that, at the beginning Graces face is passing orange. This saturated look looks remarkably like old photos, which is relevant as the audience will later find out that she is in fact deceased.Lastly, these effects are also apparent in the Grave Scene. In this scene, camera techniques are used very efficiently. The main method used is a technique called crosscutting this is where the camera shot switches between scenes, it is used to show things happening at the same time. This technique creates suspense because it allows the audience to tuck information the characters dont know. This technique can also increase the urgency of a scene. This is applied to this scene as, Nicholas and Anne go looking for their father. Lost within the fog, a lot used in horro r films to present something being hidden, they find some gravestones. As she reads their inscriptions, her facial expressions all the way show the feeling of shocked and fear. However the scene suddenly cuts to Grace, who also goes through the same emotions as she discovers a picture of her servants, sat dead. The scene then cuts back to the children, as Anne stands dumb the servants miraculously appear. As Anne shouts at Nicholas to run the camera pans onto him. Here the director uses another technique he switches the focus between the foreground and the background. At first Nicholas can be seen clearly with the servants not in focus in the distance, however these switch so the servants can be seen clearly and Nicholas instead is not in focus. This creates a great amount of suspense, this because this effect gives the impression that the servants are getting considerably closer, where as Nicholas is yet to move. As Anne and Nicholas finally run away, the scene once again cuts to Grace who is distraughtly looking for her children, here the two split scenes merge as the kids run into her. The climaxing music also adds to the tension in the scene.In conclusion Alejandro Amenabar uses various presentational devices to create suspense during the film. These include the use of lighting, camera angles and sound. However distant most modern films of this genre special effects arent really used, but this does not affect the overall apprehension created during the film. Tension is created in every scene using a wide variety of techniques, therefore I believe that Alejandro Amenabar creates suspense effectively, making The Others a great film to watch.